He promises no two Sundays will ever be the same. Magazine attracts its share of women, too, both straight and lesbian, Mozdzen says. It's known for its diversity: Magazine producer Joe Mozdzen says the club razes the stereotype of the gay bar as a sticky, beery place haunted by lonely, aging men. From the restless crowd, someone approaches, a guy with dark hair and a big smile. The club has a Tim Burton-like atmosphere--sort of industrial-Gothic-modern--that varies throughout, he says.
It's owned by brothers Jon and Gregg Hanour, who created the Shark Club in Costa Mesa in , a classy billiard hall that bucks another stereotype--that of the pool hall as a dingy, smoky, vacuous asylum for society's dark side. The Club" for gay and lesbians interested in an upscale, eclectic alternative. A narrow stairway in a very dark corner leads to a voyeuristic seating area above the main dance floor, and the catwalk, a relic of a former occupant, provides an unapologetic view of the entire scene, including, on this Sunday, live tribal drumming by Shaheen. The club is filling up fast on this Sunday, perhaps because of the repressive rain, which has ended the last three weekends on a similar soggy note. Inside the club, the tyrannical disco beats force every conversation to be animated by gestures, and words are mouthed in exaggeration, like big yawns. It will be called Centerfold, playing off the magazine theme, a club-within-a-club featuring female deejays and dancers. He notes the club will begin devoting the Back Room to them on Feb. He is a perfect cross between Ricky Nelson and Ricky Ricardo--clean-cut and boyish, masking an urbane Latin gregariousness. And on Sunday, Metropolis becomes "Magazine: The club has a Tim Burton-like atmosphere--sort of industrial-Gothic-modern--that varies throughout, he says. He figures he can better survey the Metropolis from that vantage point. He denies his outgoing manner is the result of the Pink Triangle beer being hawked at the bar. He says the name comes from its penchant for ever-changing moods, much like a magazine has varying themes and sections from one issue to the next. Two of them sit quietly together away from the dance floor, as near the quieter billiard area as they can get without getting cued. Metropolis in Irvine offers gays an upscale, classy place to party on Sundays. The political correctness of it all really made it possible. He promises no two Sundays will ever be the same. From the restless crowd, someone approaches, a guy with dark hair and a big smile. It's known for its diversity: There is the Venus Room, which has another bar and an intimate stage where the Fetish Boys strip in front of its mammoth mirror, and in the Back Room--a disco-within-a-disco--deejays pump music from the '70s and '80s under a wisp of laser lights and "massage boys" occasionally offer free rubdowns. You can come here and not feel like you are banished to the seedy part of town and have to use the back door, or feel like someone is waiting to beat you up. Magazine producer Joe Mozdzen says the club razes the stereotype of the gay bar as a sticky, beery place haunted by lonely, aging men. The look is a mixture of the old and new, a blend of soft and hard concrete, metal and molded, curvaceous plywood surfaces. Magazine attracts its share of women, too, both straight and lesbian, Mozdzen says. Metropolis offers a main dance floor flanked by seven pool tables and a full sushi bar. But now, it's like, they aren't so seedy anymore. Centerfold will take over the Back Room on the first Sunday of every month, says Mozdzen, and if it's popular, it may get its own night.
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CHARM BRTTIAN invades SHARK CLUB presented by OC GUEST LIST
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